Keep the camera Steady

few things are more annoying than a great shot which is just a little bit blurry. this can happen for a number of reasons, most often because the camera was moving. it's hard to keep a camera still, and the bigger the lens you've got on the front, the harder it is.
this, combined with the fact that the faster the shutter speed, the less it matters that the camera may be moving, leads to the familiar rule of thumb for when you are hand-holding a shot:

• shutter speed should be at least as great as focal length

i.e. if you have a 200mm lens, you should use a shutter speed of 1 200th of a second or faster.
if you have a zoom lens which goes up to 200mm, you should still set the shutter to 1/200 or faster.

some lenses and some cameras have stabilisation mechanisms which claim to allow you to shoot at lower speeds. in general, these seem to work, but it's still good to bear the rule in mind.

following this rule will give you a good safety margin.

check your shutter speed just before you take the shot.

Bigger is Better

when you see a photograph, it's generally true that the larger it is, the better it appears. This gives rise to a printing tip:

• when printing a photo, print it at the biggest size that is practical

but that's not all. the same principle works inside the photo, too, so:

• when taking a photo, try making the subject fill the frame as much as possible

this catches the attention of the viewer, removes clutter and emphasises the subject.
so try this next time you take the shot.

Use a small Bag

i find that the larger a bag is, the less likely i am to pick it up and take it with me everywhere i go.
for this reason, i get the smallest camera bag that can hold the equipment i don't want to be without, and keep my camera, lenses and assorted "go anywhere" junk in that one bag.

the bag i use is the lowpro slingshot 100

i can't help but notice how much it's gone down in price since i bought mine, so i'm guessing that it's popular.

i could use a larger bag which would hold all my lenses, all my gadgets, and has room to strap my tripod on the outside, but i would never use it. then i would never have my camera with me, and i would never be able to take the shot.

Read a Book

here is a book which has really helped me.

scott kelby's digital photography book

it is simple, straightforward and contains stuff you can immediately put into practice.

Use manual Focus

although your camera can focus very well, there are times when manual focus is best.
principally, this will be for:

• macro photography
• a subject moving too quickly for autofocus

Use Autofocus

your camera's built-in autofocus can usually do a much better job than you can (especially if your eyes are - let's say: older).

read your camera's manual, and learn how to control where it will focus. this usually involves a focus point: a dot in the viewfinder which shows exactly where on the image the camera will try to focus. on most cameras, you can point the selected focus point at the subject, hold the shutter release button half way down, then recompose the image while the camera will not refocus.

this means you don't have to focus and compose at the same time. you can focus, then compose, then take the shot.

Shooting in the Dark

when shooting in (really) low light, try this:

• put your subject between you and the light source
• if possible, pose the subject to get an interesting silhouette
• whack up the ISO as high as it will go
• steady the camera on a tripod / firm surface / whatever
• take the shot!

the high ISO will introduce texture in the form of noise, so this technique gives you the possibility of getting a shot when there really isn't enough light.

consider introducing motion in the subject (experiment).

there is a every chance that this picture won't come out as a masterpiece, but we're talking about a situation where you have very few options (unless you're going to use flash), so why not take a chance, and ... take the shot!